![]() ![]() The McKittrick Hotel is home of immersive theater spectacle Sleep No More late-night cabaret Bartschland Follies spellbinding sleight-of-hand Speakeasy Magick and limited engagement presentation of The Woman in Black – a ghost story in a pub. A full calendar of live performances and tickets is available at. To purchase tickets, visit and select event date. Private tables and Champagne upgrades are also available. Sleight-of-hand talents extend to the bar as well, where specialty drinks include the hotel’s signature Sleep No More and barrel-aged Old Fashioned. Inspired by its downstairs neighbor, Sleep No More, which is based on Shakespeare’s Scottish play, Macbeth, the rooftop is a perfect respite from the cold before or after one of The McKittrick’s many theatrical experiences. ![]() For more information about Todd Robbins, visit The Lodge at Gallow Green is a cozy mountainside hideaway set in the Highlands of Scotland. Join him and a revolving cast of the best illusionists in NYC. New York City-based Robbins brings decades of experience performing on Broadway, Off-Broadway, and around the world to The McKittrick each week. Hosted by veteran Todd Robbins (Monday Night Magic), the enchanted experience features a combination of up-close-and-personal prestidigitation and parlor magic. Produced by Emursive, Speakeasy Magick presents legendary legerdemain by the city’s top magical talents. Doors open for pre-show drinks at 7pm on Thursdays & Sundays, 8pm on Fridays, and 7 & 9:30pm on Saturdays. Tickets are required for entry and there is a full bar available. ![]() Awards: 2007 Connecticut Critics Circle Award ( No Exit, Hartford Stage), 2001 Elliot Norton Award ( Mother Courage and Her Children, A.R.T.), seven Independent Reviewers of New England Award nominations.The McKittrick Hotel (home of ‘Sleep No More’) presents Speakeasy Magick, hosted by Todd Robbins on Thursday - Sunday evenings in The Lodge at Gallow Green. Dance soundscapes include works for Concord Academy Dance, Snappy Dance Theater Company, and Lorraine Chapman. Y), Our Town (Boston Theatre Works), Far East (Vineyard Playhouse), Only You (Efron Entertainment). Other credits include Farragut North and Yankee Tavern (Contemporary American Theater Festival), The Merchant of Venice (Actor’s Shakespeare Project), Ah, Wilderness! (CenterStage Baltimore), The Diary of Anne Frank (New Rep), The Scottish Play (La Jolla Playhouse), Leap (Cincinnati Playhouse in the Park), Daughter of Venus, Action Jesus and Dressed Up! Wigged Out! (Boston Playwrights’ Theatre), Sideways Stories from Wayside School, All of a Kind Family and The Fabulous Invalid (Emerson Stage), Samson Agonistes (92nd St. ![]() He has also toured regionally and internationally with the A.R.T. Sound designs by David Remedios have been heard in Sexual Perversity in Chicago/The Duck Variations, Romance, Trojan Barbie, Endgame, The Seagull, The Communist Dracula Pageant, Let Me Down Easy, When It’s Hot It’s Cole, Cardenio, Julius Caesar, Copenhagen, Donnie Darko, A Marvelous Party, No Man's Land, Oliver Twist, Britannicus, The Onion Cellar, The Island of Slaves, Orpheus X, Romeo and Juliet, No Exit, Three Sisters (2005), The Keening, Amerika, Olly's Prison, Desire Under the Elms, Dido Queen of Carthage, The Provok'd Wife (original music and sound), The Miser, A Midsummer Night's Dream (2003), Snow in June, Lady with a Lapdog, The Sound of a Voice, Pericles, Highway Ulysses, Uncle Vanya, Lysistrata, Absolution, Marat/Sade, Stone Cold Dead Serious, Enrico IV, Othello, Animals and Plants, The Doctor's Dilemma, Mother Courage and Her Children, Three Farces and a Funeral, Antigone, Nocturne, How I Learned to Drive, and Man and Superman. Borger has a Master of Arts in Theater from The Ohio State University. Previously Borger spent thirteen years as Deputy Head of the National Theatre Studio of Great Britain, where she oversaw the readings, workshops and classes for some of the most prominent playwrights, actors and directors in the United Kingdom. Prior to A.R.T., Borger spent over a decade as General Manager at the Royal Court Theatre in London, where she produced more than one hundred and fifty productions, including The Seagull, Rock ’n’ Roll, The Weir, Jerusalem, A Number, and My Name is Rachel Corrie, which transferred to New York. a home for emerging and established artists to take risks and create and incubate new work. Diane Borger joined the American Repertory Theater in the fall of 2009 as the Executive Producer for Sleep No More, and took on the full-time position of Producer for the A.R.T in January 2010 where she partnered with Terrie and Bradley Bloom Artistic Director Diane Paulus to make A.R.T. ![]()
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